NETFLIX & DIRTY FILMS

Building a changemaking film program from zero to a premiere industry platform

The Challenge

Proof of Concept launched to address a structural failure in the film industry:

Only 7% of directors across the 1,900 most popular films between 2007 and 2025 were women.

Created by Dirty Films and the USC Annenberg Inclusion Initiative, Proof of Concept was designed to provide funding, mentorship, and exposure to directors whose voices are historically excluded from large-scale filmmaking.

When I was brought on as the lead designer, the program had no brand, no website, no public-facing narrative, and no precedent for how it would scale beyond year one. The challenge wasn’t simply to “launch a site.” It was to establish Proof of Concept as a credible, premiere program, not a one-off initiative.

The Outcome

Proof of Concept launched with a clear digital identity and was positioned as a changemaking production platform. What began as a single-page site evolved into a scalable ecosystem supporting multiple program years, ongoing announcements and applications, and brand consistency across web, video, and digital assets.

The clarity of positioning helped deliver strong applicant volume, stakeholder alignment across partners, external credibility within the industry, and momentum that directly contributed to the program’s renewal for a second year of the program.

“The showcase is a celebration of a cornucopia of new, wonderful points of view, and importantly, it’s a celebration of this vital step for these filmmakers. From here, we know that these helmers can start shaping and remaking the industry.” - Cate Blanchett

Making a Strong Brand Statement

Proof of Concept needed to feel cinematic and future-facing without becoming academic or inaccessible. I created the visual identity, tone, and design system from scratch, defining a confident aesthetic aligned with film industry norms, messaging rooted in problem to solution storytelling, and a system flexible enough to support multiple cohorts and future growth. The brand had to hold the weight of its founders and partners Cate Blanchett, Coco Francini, and Dr. Stacy L. Smith while still centering emerging filmmakers.

Custom Components

Yoo Lee

"It’s a privilege to tell the story I want to tell.

I never know exactly how it will get done, but it always begins with a story that has been occupying space in my head for quite some time, just itching to get out. That’s how it began with A Man Who Takes Pictures in Flowers, until a wonderful tribe of changemakers, Proof of Concept, decided to lend their support and nurture the project along with nine other incredible filmmakers.

I learned so much, experienced what good leadership looks like, and came out of the Proof of Concept experience with a finished short documentary that made me a better filmmaker and a better human being. I am forever grateful."

-Yoo Lee, Director, A Man Who Takes Pictures in Flowers

Yoo Lee

"It’s a privilege to tell the story I want to tell.

I never know exactly how it will get done, but it always begins with a story that has been occupying space in my head for quite some time, just itching to get out. That’s how it began with A Man Who Takes Pictures in Flowers, until a wonderful tribe of changemakers, Proof of Concept, decided to lend their support and nurture the project along with nine other incredible filmmakers.

I learned so much, experienced what good leadership looks like, and came out of the Proof of Concept experience with a finished short documentary that made me a better filmmaker and a better human being. I am forever grateful."

-Yoo Lee, Director, A Man Who Takes Pictures in Flowers

Yoo Lee

"It’s a privilege to tell the story I want to tell.

I never know exactly how it will get done, but it always begins with a story that has been occupying space in my head for quite some time, just itching to get out. That’s how it began with A Man Who Takes Pictures in Flowers, until a wonderful tribe of changemakers, Proof of Concept, decided to lend their support and nurture the project along with nine other incredible filmmakers.

I learned so much, experienced what good leadership looks like, and came out of the Proof of Concept experience with a finished short documentary that made me a better filmmaker and a better human being. I am forever grateful."

-Yoo Lee, Director, A Man Who Takes Pictures in Flowers

Man with surfing with paddle

Gabriela Garcia Medina

"What I loved about Proof of Concept was that they gave me....not just the "support" but the ACTUAL budget to expand my toolkit as a filmmaker. I got to shoot a car-chase sequence on a volume stage, fly a drone on Rodeo Drive without getting arrested (cause I could actually afford to pay for a permit), and work with incredibly talented actors. I always felt supported by my EPs, who offered valuable feedback while trusting my choices.

Being able to put Dirty Films (Cate Blanchett and Coco Francini) as EPs on SKRRRT! was a real milestone. And partnering with Annenberg was meaningful, because their commitment to inclusion reflects the way I have always approached my work."

-Gabriela Garcia Medina, SKRRRT!

Man with surfing with paddle

Gabriela Garcia Medina

"What I loved about Proof of Concept was that they gave me....not just the "support" but the ACTUAL budget to expand my toolkit as a filmmaker. I got to shoot a car-chase sequence on a volume stage, fly a drone on Rodeo Drive without getting arrested (cause I could actually afford to pay for a permit), and work with incredibly talented actors. I always felt supported by my EPs, who offered valuable feedback while trusting my choices.

Being able to put Dirty Films (Cate Blanchett and Coco Francini) as EPs on SKRRRT! was a real milestone. And partnering with Annenberg was meaningful, because their commitment to inclusion reflects the way I have always approached my work."

-Gabriela Garcia Medina, SKRRRT!

Man with surfing with paddle

Gabriela Garcia Medina

"What I loved about Proof of Concept was that they gave me....not just the "support" but the ACTUAL budget to expand my toolkit as a filmmaker. I got to shoot a car-chase sequence on a volume stage, fly a drone on Rodeo Drive without getting arrested (cause I could actually afford to pay for a permit), and work with incredibly talented actors. I always felt supported by my EPs, who offered valuable feedback while trusting my choices.

Being able to put Dirty Films (Cate Blanchett and Coco Francini) as EPs on SKRRRT! was a real milestone. And partnering with Annenberg was meaningful, because their commitment to inclusion reflects the way I have always approached my work."

-Gabriela Garcia Medina, SKRRRT!

Man with surfboard

Nate Gualtieri

"I owe so much to the Proof of Concept Fellowship and the incredible team behind it. Their belief in me as an emerging filmmaker has given me confidence, momentum, and the creative space to take risks I never thought I could. This opportunity has been a massive turning point in my directing journey, and launched me into the next stage of my career."

-Nate Gualtieri, Queerbait

Man with surfboard

Nate Gualtieri

"I owe so much to the Proof of Concept Fellowship and the incredible team behind it. Their belief in me as an emerging filmmaker has given me confidence, momentum, and the creative space to take risks I never thought I could. This opportunity has been a massive turning point in my directing journey, and launched me into the next stage of my career."

-Nate Gualtieri, Queerbait

Man with surfboard

Nate Gualtieri

"I owe so much to the Proof of Concept Fellowship and the incredible team behind it. Their belief in me as an emerging filmmaker has given me confidence, momentum, and the creative space to take risks I never thought I could. This opportunity has been a massive turning point in my directing journey, and launched me into the next stage of my career."

-Nate Gualtieri, Queerbait

Product branding

Photo Backdrop

After-party Accessories

The Big Stage

Wristbands

Leveraging video as proof

To complement the written narrative, I storyboarded and edited a program showcase video and social media story highlighting the first cohort’s completed short films. The video functions as validation of the program’s mission, a recruiting and credibility asset, and a bridge between institutional messaging and emotional impact. The story reinforces Proof of concept as an active initiative.

More web assets